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The delegates can access these documents here. TRADITIONAL COSTUMES DAY Monday 7 November, Traditional Costumes Day at APFW! The opening day of Asia-Pacific Forestry Week will celebrate the diversity and color of the region through “Traditional Costumes Day”. Participants are encouraged to represent their countries and celebrate diversity by wearing traditional costumes to the opening ceremony and throughout the day. Download Traditional Costumes Day Flyer MILESTONE EVENT Asia-Pacific Forestry Week is a milestone event, uniting the most important participants in Asia-Pacific forestry for 5 days of dynamic exchange. p Taking place between 7-11 November at the China National Convention Centre, Beijing China, the week centers upon daily plenary sessions and partner events led by a range of high profile keynote speakers and sector leaders.
Language:English
Score: 1339747.7 - https://www.fao.org/forestry/ap-forestry-week/en/
Data Source: un
Themes Festivals Documentary Heritage Intangible Cultural Heritage Languages and Endangered Languages Movable Heritage and Artefacts Traditional Craftsmanship Underwater Heritage World Cultural Heritage World Natural Heritage, Biosphere Reserves and Geoparks In Action Cities Institutions Museums Publications Knowledge Bank Countries Silk Roads Photo Contest UnescoLogo_AI Building peace in the minds of men and women Search English English Français Русский العربية 中文 Español Robe with Decorative Braided Waist Band Yuan Dynasty. 13-14 th century H117cm, W202cm   This type of braided waist band robe was in vogue as costume for men in north China during the Yuan Dynasty. (...) The distinctive feature in this costume is the braided band stitched onto the waist section. The band, usually 15cm in width, is formed by lining up either multiple cords of twisted strips of silk tabby or heavily braided silk threads. The costume is documented in the Yuan Chronicles, Costumes as “Braided Band Robe”.
Language:English
Score: 1300146.6 - https://en.unesco.org/silkroad...ecorative-braided-waist-band-0
Data Source: un
Replica of "The Golden Man" | United Nations Gifts Skip to main content Welcome to the United Nations Toggle navigation Language: عربي 中文 English Français Русский Español United Nations Gifts Search form A-Z Site Index Search Toggle navigation Home Catalog Art Committee Contact Home Title Replica of "The Golden Man" Gift ID:  221G Replica of the gold treasure man's costume found in the Lssyk kurgan in the vicinity of the Almaty Saks culture, V-IV century B.C.  The costume is decorated by the golden-plated stripes of the different forms.
Language:English
Score: 1225132.8 - https://www.un.org/ungifts/content/replica-golden-man
Data Source: un
Replica of "The Golden Man" | United Nations Gifts Skip to main content Welcome to the United Nations Toggle navigation Language: عربي 中文 English Français Русский Español United Nations Gifts Search form A-Z Site Index Search Toggle navigation Home Catalog Art Committee Contact Home Title Replica of "The Golden Man" Gift ID:  221G Replica of the gold treasure man's costume found in the Lssyk kurgan in the vicinity of the Almaty Saks culture, V-IV century B.C.  The costume is decorated by the golden-plated stripes of the different forms.
Language:English
Score: 1225132.8 - https://www.un.org/ungifts/node/3147
Data Source: un
©UNICEF/2018/Brent Toombs A group of boys prepare sea shells to be used as part of their Jonkunnu costumes. The Garifuna originated in the mid 17 th century when African slaves brought to the eastern Caribbean intermarried with local populations of Arawak and Carib Indians. (...) In Belize City, Jaheim continues his painstaking work of preparing shells for the Jonkunnu costumes he is helping to make. He is singing Ayo (goodbye), a tribute song for one of Belize’s most treasured musical icons and cultural activists, the late Andy Palacio. (...) The barbed wire fencing surrounding the perimeter of the pre-school where the costume making is taking place speaks to the reality of life in this community.
Language:English
Score: 1208863 - https://www.unicef.org/belize/...iolence-through-cultural-dance
Data Source: un
Themes Festivals Documentary Heritage Intangible Cultural Heritage Languages and Endangered Languages Movable Heritage and Artefacts Traditional Craftsmanship Underwater Heritage World Cultural Heritage World Natural Heritage, Biosphere Reserves and Geoparks In Action Cities Institutions Museums Publications Knowledge Bank Countries Silk Roads Photo Contest UnescoLogo_AI Building peace in the minds of men and women Search English English Français Русский العربية 中文 Español Mak Yong theatre © National Culture and Arts Department This ancient theatre form created by Malaysia’s Malay communities combines acting, vocal and instrumental music, gestures and elaborate costumes. Specific to the villages of Kelantan in northwest Malaysia, where the tradition originated, Mak Yong is performed mainly as entertainment or for ritual purposes related to healing practices. (...) Hence, the tradition was perpetuated in a rural context without forsaking the numerous refinements acquired at court, such as sophisticated costume design. A typical Mak Yong performance opens with an offering followed by dances, acting and music as well as improvised monologues and dialogues.
Language:English
Score: 1156803.4 - https://en.unesco.org/silkroad...ural-heritage/mak-yong-theatre
Data Source: un
Boys and young men perform the Saman sitting on their heels or kneeling in tight rows. Each wears a black costume embroidered with colourful Gayo motifs symbolizing nature and noble values. (...) Lack of funds is also a constraint, as Saman costumes and performances involve considerable expense.
Language:English
Score: 1156803.4 - https://en.unesco.org/silkroad...-cultural-heritage/saman-dance
Data Source: un
Themes Festivals Documentary Heritage Intangible Cultural Heritage Languages and Endangered Languages Movable Heritage and Artefacts Traditional Craftsmanship Underwater Heritage World Cultural Heritage World Natural Heritage, Biosphere Reserves and Geoparks In Action Cities Institutions Museums Publications Knowledge Bank Countries Silk Roads Photo Contest UnescoLogo_AI Building peace in the minds of men and women Search English English Français Русский العربية 中文 Español Royal ballet of Cambodia © Ministère de la Culture et des Beaux-Arts Renowned for its graceful hand gestures and stunning costumes, the Royal Ballet of Cambodia, also known as Khmer Classical Dance, has been closely associated with the Khmer court for over one thousand years. (...) Each possesses distinctive colours, costumes, makeup and masks.The gestures and poses, mastered by the dancers only Read more about this element on the UNESCO Intangible Cultural Heritage website. © Ministère de la Culture et des Beaux-Arts © Ministère de la Culture et des Beaux-Arts © Ministère de la Culture et des Beaux-Arts © Ministère de la Culture et des Beaux-Arts © Ministère de la Culture et des Beaux-Arts Previous Next Country profile Cambodia Capital: Phnom Penh Region: Asia and the Pacific Related Information Route: Maritime Domain: Performing arts This platform has been developed and maintained with the support of: Azerbaijan China Germany Kazakhstan Oman Contact UNESCO Headquarters 7 Place de Fontenoy 75007 Paris, France Social and Human Sciences Sector Research, Policy and Foresight Section Silk Roads Programme silkroads@unesco.org Follow us UNESCO applies a zero tolerance policy against all forms of harassment WWW.UNESCO.ORG Disclaimer of Use Privacy Policy Terms of use Staff
Language:English
Score: 1156803.4 - https://en.unesco.org/silkroad...heritage/royal-ballet-cambodia
Data Source: un
For the Koodiyattam component, 58 new costumes were purchased, while 41 sets of old costumes, 20 musical instruments, and Restoring the Koothampalam, the traditional performing space for Koodiyattam © UNESCO / Nepathya 2/1 two office items that had been damaged in floods were restored.
Language:English
Score: 1156803.4 - https://en.unesco.org/sites/de...t/files/india_2016-2020_en.pdf
Data Source: un
PROPOSAL TO AMEND THE PROPER SHIPPING NAME OF CROTONALDEHYDE (UN 1143) / TRANSMITTED BY THE INTERNATIONAL COUNCIL OF CHEMICAL ASSOCIATIONS (ICCA)
The results of the experiments are summarized in the table: Run Sample size Crotonaldehyde Ambient temperature Time to maximum rate TMR24 Temp. max / Pressure max Activation Energy - "pre"reaction - main reaction [g] [°C] [°C] [°C] [bar] [kJ/mol] 1 143 142 134 293 80 100 2 141 100 to 130 140 148 310 114 102 Figure 1: Differential scanning calorimetry of crotonaldehyde (Glas pan, heating rate 3K/min) ST/SG/AC.10/C.3/2004/33 page 6 Annex PS 19980961 0,75l / 500bar Autoklav Pressure transducer: 100 bar Costumer: Blumenstein Starting temperature : °C Weight: 143g Storage temperature: °C Test Vessel: 200 ml dewar, thin-walled Maximum temperature: °C Crotonaldehyde 0 50 100 150 200 250 300 0 12 24 36 48 60 Time [h] T em p er at u re [° C ] 0 15 30 45 60 75 90 P re ss u re [b ar ] Sample Pressure Oven Figure 2: Temperature / Pressure plot of experiment run 1. PS 20030961.2 0,75l / 500bar Autoklav Pressure transducer: 100 bar Costumer: Blumenstein Starting temperature : °C Weight: 141g Storage temperature: °C Test Vessel: 201 ml dewar, thick-walled Maximum temperature: °C Crotonaldehyde 0 50 100 150 200 250 300 350 0 12 24 36 48 60 72 84 96 108 120 132 144 156 168 180 192 204 216 228 240 252 264 276 288 Time [h] T em p er at u re [° C ] 0 30 60 90 120 150 180 210 P re ss u re [b ar ] Sample Pressure Oven Run at starting temperature of °C Run at starting temperature of °C with stepwise increase of sxtorage temperature Figure 3: Temperature / Pressure plot of experiment run 2 in comparison with run 1 ST/SG/AC.10/C.3/2004/33 page 7 Annex Crotonaldehyde 280270260120 130 140 150 160 170 180 °C 200 210 220 230 240 250 0,01 0,1 1 10 100 1000 -2,6 -2,5 -2,4 -2,3 -2,2 -2,1 -2,0 -1,9 -1,8 -1000/T [1/K] d Q /d t [W /k g ] 0,01 0,1 1 10 100 1000 Temperature [°C] run 2 (lower) with stepwise increase of storage temperature and total tempering time between an °C of h Aktivation energy: 91 kJ/mol run (upper) at a starting temperture of °C with tempering time between an °C of h Aktivation energy: 100 kJ/mol Figure 4: Arrhenius plot of the self-heating rate and fitted zero order kinetic model Ergebnis: AZT = °C Regression: log(TMR)[min] = A + ( -B / T[K] ) A = -5,10242 B = -3366,66 Ea = 64 kJ/mol PS 19980961 0,75l / 500bar Autoklav Pressure transducer: 100 bar Costumer: Blumenstein Starting temperature : °C Weight: 143g Storage temperature: °C Test Vessel: 200 ml dewar, thin-walled Maximum temperature: °C Crotonaldehyde 200190180170160150°C13012011010090 100 1000 10000 -2,8 -2,7 -2,6 -2,5 -2,4 -2,3 -2,2 -2,1 -1000/T [1/K] In du ct io n Ti m e in m in Induction time Regression Figure 5: Time to maximum rate ST/SG/AC.10/C.3/2004/33 page 8 Annex Schnittpunkt mit der x -Achse = °C PS 20030961.2 0,75l / 500bar Autoklav Pressure transducer: 100 bar Costumer: Blumenstein Starting temperature : °C Weight: 141g Storage temperature: °C Test Vessel: 201 ml dewar, thick-walled Maximum temperature: °C Crotonaldehyde 0,0 0,5 1,0 1,5 2,0 2,5 3,0 80 85 90 95 100 105 110 115 120 125 130 135 140 145 150 155 160 165 170 175 180 Temperature in °C H ea t p ro u ct io n r at e in W /k g Regression 30 mW/kg/K 2 mW/kg/K 30 mW/kg/K Determination of SADT (Test H.2 Test Manual) Run 1 (left): sample 24 h at a temperature between and °C under adiabatic conditions Run 2 (right): sample 180 h at a temperature between and °C under adiabatic conditions Figure 6: Self Accelerating Decomposition Temperature for a portable tank with a heat of 2 mW/kg/K ST/SG/AC.10/C.3/2004/33 page 9 Annex DATA SHEET TO BE SUBMITTED TO THE UNITED NATIONS FOR NEW OR AMENDED CLASSIFICATION OF SUBSTANCES Submitted by International Council of Chemical Associations .......
Language:English
Score: 1151207.1 - daccess-ods.un.org/acce...ST/SG/AC.10/C.3/2004/33&Lang=E
Data Source: ods