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  INTERNATIONAL TELECOMMUNICATION UNION

It does not attempt to advise on the relative merits of loudspeaker monitoring and headphone monitoring, nor on the many other aspects of importance in headphone selection such as cost, comfort, durability, repairability, feedback susceptibility, electrical impedance, electro‑acoustical efficiency, consistency between units, non-linear distortion and maximum sound level. Recommendation ITU-R BS.775 – Multichannel stereophonic sound system with and without accompanying picture, contains the following information: – standard geometry for loudspeakers and listening position; – specification for 5/2/5 channel encoding/transmission/decoding system which maximizes compatibility with 2-channel and single-channel systems; – an optional listening arrangement with enhanced surround sound field coverage using three front loudspeakers and four surround loudspeakers. (...) Recommendation ITU-R BS.646 – Source encoding for digital sound signals in broadcasting studios, contains operating parameters and performance guidelines for analogue to digital conversion in sound equipment. (...) This Recommendation is intended as a guide to selection and assessment of performance of digital sound production equipment and digital sound production systems for broadcasting.

Score: 1663369 - https://www.itu.int/dms_pub/it.../0A/07/R0A070000040001MSWE.doc

  - 2 - 6/11-E Guide t

- 2 - 6/11-E Guide to itu-r recommendations on Programme sound recording (under the responsibility of Working Party 6R) Source: Document 6/11 Background This Guide lists and details those Recommendations in the BR series that cover the area of programme sound recording. (...) NOTE – ITU-R Recommendations can be found at the following address: http://www.itu.int/ITU-R/publications/rec/index.asp Guide to ITU-R Recommendations on programme sound recording Analogue programme sound recordings • Recommendation BR.408 “International exchange of sound programmes recorded in analogue form” specifies the audio tape width, the recording speed and the recording characteristics for the international exchange of analogue sound programmes. (...) This Recommendation analyses three cases, namely: – when it is desired to derive a monophonic sound signal for conventional monophonic television emission; – when it is desired to derive a stereophonic sound signal for stereophonic television emission; – when it is desired to carry the original stereophonic film sound with matrix encoding of surround sound through the television emission chain. • Recommendation BR.1422 “Operational practices for television use of film soundtracks encoded with noise reduction and matrix surround” provides specifications similar to those in Recommendation ITU‑R BR.1287, but it focuses them on the exploitation of the various versions of Dolby companding and matrix encoding that can be found on analogue soundtracks of current feature films. _______________ C:\DOCUME~1\laurent\LOCALS~1\Temp\FrontPageTempDir\progr-sound-rec.doc (168367) 14.10.03 08.06.04 C:\DOCUME~1\laurent\LOCALS~1\Temp\FrontPageTempDir\progr-sound-rec.doc (163367) 14.10.03 08.06.04

Score: 1623104.5 - https://www.itu.int/dms_pub/it.../0A/07/R0A070000040004MSWE.doc

  © 2015 Fraunhofer I

© 2015 Fraunhofer IIS MPEG-H Audio System for Broadcasting ITU-R Workshop “Topics on the Future of Audio in Broadcasting” Jan Plogsties © 2015 Fraunhofer IIS Challenges of a Changing Landscape Immersion Compelling sound experience through sound that comes from all directions produced in different formats Personalization and interactivity Adaptation to the user’s liking and listening situation Everywhere Play on any device with delivering best possible sound experience in terms of spatial impression and dynamic range © 2015 Fraunhofer IIS What is MPEG? (...) Rendering TV E.g. 7.1+4 Speakers IP Transport Stream 2.0, 5.1, 7.1+4 Loud- speakers, Head- phones Emission Encoding Consumer Live Production Audio from Live Console No Control Data for Objects and Loudness Production User control Advanced sound file format Tablet MPEG-H Audio in the broadcasting chain © 2015 Fraunhofer IIS Audio Content Types  Channel-based Mixes produced for a defined target loudspeaker locations  Object-based Sound of a single element and related metadata  Positional object - Target locations or arbitrary movements specified by metadata  Interactive object – Object that can be controlled by the listener  Higher Order Ambisonics (HOA) Corresponds to a spherical expansion of the sound field in a point Speaker layout agnostic; Rendering to target loudspeaker setup © 2015 Fraunhofer IIS MPEG-H Audio - Basic Decoder Architecture to HP Audio bit- stream © 2015 Fraunhofer IIS MPEG-H Audio Core Codec  Based on MPEG Unified Speech and Audio Coding (USAC)  Extensions for use in the context of 3D audio  Improved coding efficiency by parametric tools  Improved stereo and multichannel imaging  Instantaneous bit rate and stream switching  Signaling for 3D content/loudspeaker layouts Bed Objects Total # of chan. + obj. (...) Rendering TV E.g. 7.1+4 Speakers IP Transport Stream 2.0, 5.1,or 7.1+4 Speakers Encoding Consumer Live Production Audio from Live Console No Control Data for Objects and Loudness Production User control ITU-R BS.2051-0 Advanced sound system for programme production Advanced sound file format ITU-R BS.2076 Audio Def.

Score: 1596338.2 - https://www.itu.int/en/ITU-R/s...default/Presentation%202-1.pdf

  1 Interoperability i

The centre part of 13 segments could be received by terrestrial sound broadcasting receiver ! This segment usually uses QPSK or 16 QAM with high forward error correction capability for mobile reception 7 Interoperability between Fixed/Mobile and Sound/Television Systems (2/3) ! (...) By adding a front end of BSS (s) signal, a portable receiver could also decode BSS (s) data streams because all broadcasting systems adopt the same multimedia and data broadcasting standard 8 Interoperability between Fixed/Mobile and Sound/Television Systems (3/3) 8-PSK 11 GHz8-PSK 11 GHz CDM 2.6 GHzCDM 2.6 GHz Front End for System E in BO.1130 Front End for System E in BO.1130 Back End AAC Audio MPEG-4 Video Back End AAC Audio MPEG-4 Video ARIB B-24 Common Multimedia/ Interactive System ARIB B-24 Common Multimedia/ Interactive System Back End MPEG-2 Video AAC Audio Back End MPEG-2 Video AAC Audio OFDM VHF/UHFOFDM VHF/UHF Front End for System C in BT.1306 Front End for System C in BT.1306 MPEG-2 Systems MPEG-2 Systems 0.5/1.5 MHz ISDB-TSB One / Three Segments 5.6 MHz One Segment out of ISDB-TW Front End for System F in BS.1114 Front End for System F in BS.1114 Front End for System D in BO.1516 Front End for System D in BO.1516 One Segment Reception out of 13 Segments BSS (s)BSS (s) BSSBSS 9 Interoperability in Multimedia and Data Broadcasting Systems Data Carousel Object Carousel Data Carousel Data Transmission JAVAJAVAECMA Script(+ JAVA)Execution X-HTMLX-HTMLBMLPresentation ATSC DASE DVB MHP/ OCAP ARIB STD B.24 Currently, JRG-1 is extracting the common parts of these systemsCurrently, JRG-1 is extracting the common parts of these systems 10 Interoperability using Transcoding Video Format Converter Video Format Converter Video Encoder Video Encoder Video Decoder Video Decoder ??? Transcoding ??? Transcoding Data Encoder Data Encoder Data Decoder Data Decoder Audio Encoder 1 Audio Encoder 1 Language Translation Language Translation Audio Encoder 2 Audio Encoder 2 Audio Decoder Audio Decoder SI / PSI Re-generatorSI / PSI Re-generator D e m ultiplex D e m ultiplex IBC Contents IBC Contents M ultiplex M ultiplex Local Contents Local Contents !

Score: 1592980.7 - https://www.itu.int/itudoc/itu...workshop/converge/s1pm1-p3.pdf

  INTERNATIONAL TELECOMMUNICATION UNION

ITU-R BT.1359-1 Relative timing of sound and vision for broadcasting (5 pages) This document recommends maximum operating limits for delay between sound and picture. These delays arise from separation of sound and picture during processing or transmission. (...) These systems are generally based on, or are designed for maximum compatibility with, existing 525-line and 625-line systems using NTSC, PAL or SECAM colour encoding systems. ITU-R BT.796 Parameters for enhanced compatible coding systems based on 625-line PAL and SECAM television systems (5 pages) This document contains a set of target areas for improvements to be made in existing analogue colour television systems without loss of compatibility with existing receivers: – picture enhancement techniques for: – wider aspect ratio; – reduced cross-effects between luminance and chrominance signals; – ghost cancellation; – increased resolution; – data signalling; – sound enhancement techniques for improved quality sound coding.

Score: 1589352.4 - https://www.itu.int/dms_pub/it.../0A/07/R0A070000040002MSWE.doc

  INTERNATIONAL TELECOMMUNICATION UNION

INTERNATIONAL TELECOMMUNICATION UNION - 2 - Guide to ITU-R Recommendations on the use of film in television (under the responsibility of Working Party 6R) The list below is an index of the Recommendations of the ITU-R related to technical specifications and operational methods applicable to the television use of programmes on film: Recommendation ITU-R Title BR.265 Standards for the international exchange of programmes on film for television use BR.1219 Handling and storage of cinematographic film recording BR.1287 Broadcasting of programmes on film with multichannel sound BR.1355 Viewing condition for telecine transfer of film images on a television display BR.1374 Scanned area dimensions from 16 mm and 35 mm cinematographic film used in television BR.1422 Operational practices for television use of film soundtracks encoded with noise reduction and matrix surround BR.1441 Compromise scanned area dimensions for television from 35 mm wide-screen films Basic operating practices for international exchange of film programmes* Basic technical specifications and operating practices to be applied to the international exchange of programmes on film are given in Recommendation ITU-R BR.265 – Standards for the international exchange of programmes on film for television use. (...) Recommendation ITU-R BR.1287 – Broadcasting of programmes on film with multichannel sound, specifies the general technical approaches to be taken in order to optimally exploit multichannel sound present on standard analogue optical soundtracks of feature films. This Recommendation analyses three cases, namely: – when it is desired to derive a monophonic sound signal for conventional monophonic television emission; – when it is desired to derive a stereophonic sound signal for stereophonic television emission; – when it is desired to carry the original stereophonic film sound with matrix encoding of surround sound through the television emission chain.

Score: 1575432.5 - https://www.itu.int/dms_pub/it.../0A/07/R0A070000040006MSWE.doc

  Leader - Codes

Leader - Codes Manual for Bibliographic Description TAGS 0XX   5XX 1XX 6XX 2XX 7XX 3XX 8XX 4XX 9XX Other Manuals Thesaurus Library Home UN Home   000 LEADER - Codes   GUIDELINES MARC 21   Positions 05-06 Position 07 Positions 17-18   Position 05 - record status Back to the top a - increase encoding level c - corrected or revised d - deleted n - newly created records p - increase in encode by level from pre-publication   Position 06 - type of record Back to the top a - language material c - printed music d - manuscript music e - cartographic material (printed maps) f - manuscript map g - video recordings and other projected media i - nonmusical sound recordings j - musical sound recording k - two-dimensional non-projectable graphic m - computer files (e.g. CD-ROMs) o - kit p - mixed material r - three-dimensional artifact or naturally occurring object t - manuscript language material   Position 07 - bibliographic level Back to the top a - monographic component part (analyzed resolutions and decisions, or chapters contained in monographs) b - serial component part (analyzed periodical articles) d - subunit (individual issues of periodical series) m - monograph/item (most documents and publications) / made up collection s - serial (periodical series)   Position 17 - encoding level Back to the top # - full level 1 - full level, material not examined 2 - less than full level, material not examined 5 - partial (preliminary) level 7 - minimal level 8 - prepublication level u - unknown z - not applicable   Position 18 - cataloguing form Back to the top # - non-ISBD a - AACR 2 i - ISBD u - unknown   Maintained by the Department of Public Information (DPI), Dag Hammarskjöld Library.

Score: 1546759.9 - https://www.un.org/depts/dhl/unbisref_manual/bd/cleader.htm

  ECE/TRANS/SC.3/2019/16

REVISION OF THE INTERNATIONAL STANDARD FOR NOTICES TO SKIPPERS IN INLAND NAVIGATION (RESOLUTION NO. 80): NOTICES TO SKIPPERS ENCODING GUIDE FOR EDITORS

Score: 1535723.5 - https://daccess-ods.un.org/acc...=ECE/TRANS/SC.3/2019/16&Lang=E

  Guide to ITU-R Recom

Recommendation ITU-R BT.1665 “Considerations for colour encoding and spatial resolution for LSDI display” This Recommendation specifies the factors that should be used as the basis of the design and evaluation of colour encoding and spatial sampling methods for digital display of high‑quality images in theatres. (...) Recommendation ITU-R BT.1727 “Terrestrial and satellite delivery of programme material to LSDI venues” This Recommendation specifies the video source-coding system, sound coding system and emission systems for the terrestrial or satellite delivery of program material to LSDI venues. (...) Recommendation ITU-R BS.1734 “Basic performance requirements for the sound components of LSDI applications for presentation in a theatrical environment” This Recommendation specifies the requirements relevant to the presentation of the sound components of the large‑screen digital imagery (LSDI) applications intended for presentation in a theatrical environment.

Score: 1522592 - https://www.itu.int/dms_pub/it.../0A/07/R0A070000040009MSWE.doc

  ECE/TRANS/SC.3/199/REV.1

INTERNATIONAL STANDARD FOR NOTICES TO SKIPPERS IN INLAND NAVIGATION

Score: 1512259.4 - https://daccess-ods.un.org/acc...CE/TRANS/SC.3/199/REV.1&Lang=E